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The Film That Changed My Life

30 Directors on Their Epiphanies in the Dark

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1 of 1 copy available
1 of 1 copy available

The movie that inspired filmmakers to direct is like the atomic bomb that went off before their eyes. The Film That Changed My Life captures that epiphany. It explores 30 directors' love of a film they saw at a particularly formative moment, how it influenced their own works, and how it made them think differently.

 

Rebel Without a Cause inspired John Woo to comb his hair and talk like James Dean. For Richard Linklater, "something was simmering in me, but Raging Bull brought it to a boil." Apocalypse Now inspired Danny Boyle to make larger-than-life films. A single line from The Wizard of Oz—"Who could ever have thought a good little girl like you could destroy all my beautiful wickedness?"—had a direct impact on John Waters. "That line inspired my life," Waters says. "I sometimes say it to myself before I go to sleep, like a prayer."

 

In this volume, directors as diverse as John Woo, Peter Bogdanovich, Michel Gondry, and Kevin Smith examine classic movies that inspired them to tell stories. Here are 30 inspired and inspiring discussions of classic films that shaped the careers of today's directors and, in turn, cinema history.

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    • Booklist

      January 1, 2011
      Thirty disparate directors discuss their transformative moviegoing experiences in this collection of revealing and entertaining interviews. The subjects cover the cinematic gamut, from mainstream veterans (Arthur Hiller, Bill Condon), art-house auteurs (Guy Maddin, Atom Egoyan), and young turks (Jay Duplass, Richard Kelly) to cult figures (Kevin Smith, John Waters), documentarians (Alex Gibney, Steve James) and animators (Pete Docter, Chris Miller). Some watched their pivotal flick as childrenJohn Landis saw the fantasy epic The 7th Voyage of Sinbad at age eight and said, Hey, I could do thatwhile others were already committed to the medium and viewed their picks in film school. Many of the choices show an obvious influencefor instance, John Woo, renowned for his hard-boiled Hong Kong crime epics, cited Rebel without a Cause and Mean Streetsbut others are genuinely surprising, such as horror auteur George Romeros picking Michael Powells opera adaptation The Tales of Hoffmann. The discussions provide insight not only into the chosen filmsmost have been viewed repeatedly by the enthusiastic intervieweesbut also into the directors own works. Their heartfelt and passionate tributes are cinephilia made concrete.(Reprinted with permission of Booklist, copyright 2011, American Library Association.)

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